
Welcome to Des Grey Mastering | Audio Mastering Studio | South Africa
Mastering Engineer · 500M+ Streams · 20 Years · Stereo · Stem · Apple Digital Masters · Vinyl · Dolby Atmos.
Mastering is where raw creative intention meets uncompromised translation, serving as the final, definitive step in the record making process. From Stereo and Vinyl to Dolby Atmos, we still believe in deliberate, hands on mastering using real tubes and transformers in search of the exact right tone. It’s an approach trusted by artists worldwide, from SAMA nominated album projects (Black Motion, Dr. Duda, Ayanda Jiya, Charles Webster) to global streaming hits (Keinemusik, Massh, Mi Casa).





Selected Credits · 500M+ Streams · Muso.ai Verified
As an accredited Apple Digital Masters provider, Des Grey Mastering delivers high resolution, uncompromised audio formatted strictly to Apple’s high fidelity encoding specifications. This accreditation guarantees that your music translates seamlessly to Apple Music with maximum dynamic range, exceptional clarity, and zero conversion distortion preserving the exact depth and balance engineered during the mastering process.














Ready to collaborate?
Whether you are ready to work together or just looking for a quote, drop your project details in the form below. We will review your submission, confirm availability, and get right back to you with next steps.
Submit your project details below to request a tailored quote and turnaround availability.
Rather than limiting the studio to a single specialisation, Des Grey Mastering operates on a philosophy of global sonic translation, drawing deep technical and creative influence from across all musical genres. Whether carving out the punishing, sub-heavy dynamics of Amapiano and Afro House, polishing the intricate midrange of contemporary Pop, or maintaining the pristine acoustic dynamics of organic instrumentation, every project is approached with the same objective: absolute transparency and impact.
Our standard turnaround time is typically 3 to 5 business days for singles and 7 to 10 days for albums from the receipt of your finalised files, depending on the current studio schedule. We offer unlimited revisions because we are entirely confident in our deliverables. We don’t believe in cutting off a project at an arbitrary number of changes; we are here to collaborate with you and ensure the final master sounds exactly as you intended. Until you are 100% satisfied with the translation, depth, and energy of your release, our work isn’t done.
Yes. As an approved engineering facility, all stereo projects can be optimised and fully certified for the Apple Digital Masters program.
Please provide un-dithered 24-bit or 32-bit float WAV or AIFF files at their native sample rate. Keep your levels and processing exactly as they are in your DAW—we want the exact version you and your team have been listening to and love. If we spot any technical issues or perhaps need less pre mastering processing we will reach out and request a specific alternate export.
We do not provide test masters or sample tracks. Test masters have become a widespread sales tactic in the industry, one we prefer not to participate in. Our studio schedule is fully dedicated to confirmed client projects, and every track receives our complete focus, full session time, and dedicated processing. When you book with us, we will work with you to ensure your final master is 100% as you need it to be.
With regard to mix feedback, no mastering engineer should tell you how your music ought to sound. Your mix is your artistic expression, mix the track until you are completely happy with the balance, energy, and feel. Of course, if there is a severe technical issue that will compromise the final result, we will reach out and even request stems at no extra charge. We are here to get your project over the finish line. Once you love where your mix sits, pass the file over to us, and we will take it from there.
Not all projects are created equal, and an independent or emerging artist shouldn’t be charged the same rate as a major record label. Standard fixed rates are an outdated practice. Audio mastering isn’t accounting, and every project brings its own unique variables. Our pricing is flexible and based on several factors, including where you are in your career, current studio capacity, and the time required to give your tracks the attention they deserve. Plus, we like staying busy and working with great music. Reach out, let us know your project scope and budget, and we can take it from there.
Our purpose-built facility relies on a world-class hybrid analog-digital mastering chain. Critical monitoring is handled via highly transparent Vivid Audio K1 reference speakers. The analog processing loop features premium outboard hardware from Manley and Crane Song, calibrated to inject classic hardware texture, harmonic depth, and polished commercial weight that digital software plugins alone cannot replicate.
Hello, I’m Des Grey, founder of DGM.
Mastering Engineer · 500M+ Streams · 20 Years · Stereo · Stem · Apple Digital Masters · Vinyl · Dolby Atmos.

For over two decades I’ve been behind the console, driven by an obsession with client service, acoustic precision, and pure analog tone.
I’ve spent countless hours fine-tuning every single link in my chain, obsessing over vacuum tubes, selecting custom transformers, and dialling in room acoustics. For me, mastering isn’t just about technical compliance or chasing sheer volume. It’s about FEEL.
My goal from day one was to create a dedicated space for South African artists and producers who wanted more, creators who wanted to make records that genuinely feel good. Over time that vision expanded, and international clients now rely on the same uncompromising standard of tone, care, and translation to bring their music to life.
If you are interested in working together, reach out. I would love to contribute to your project.


